To quote the entirety of the chatper titled "The Box and the Key" from David Lynch's Catching the Big Fish:

I don't have a clue what those are.

The grief I have felt the past few days has been unlike the grief I've felt for any other celebrity. Often times celebrity grief is "so glad for what they put into this world" or "that movie changed my life." And I feel that now. But it's ed by a second grief,…

Some people, when they have taken too much and have been driven beyond the point of endurance, simply crumple and give up. There are others, though they are not many, who will for some reason always be unconquerable. You meet them in time of war and also in time of peace. They have an indomitable spirit and nothing, neither pain nor torture nor threat of death, will cause them to give up.

Peter Watson was one of these. And as…

The Three Caballeros presents a land of contrasts. 

On the one hand, the dance number in Bahia is maybe my favorite scene in any Disney film full stop. The interplay of live action and animation, the creativity, the music, the dancing. It was a delight.

On the other hand, the scene where Donald Duck chases dozens of women in swimsuits around a soundstage filled with sand to stand in for Acapulco is one of the worst things I have ever…

Nolan: So what we're going to do is use an intense combination of sound design, visual effects, and editing, to show how emotionally and ethically fractured he is after the dropping of the bombs. The audience is going to viscerally feel through an expressionism that verges on surrealism just how deeply effected Oppenheimer is.

Me: Wow, that actually sounds like an excellent use of the medium. And what about Jean Tatlock? How are you going to show the audience that…