I sometimes watch movies in between my incessant binging of The Real Housewives

1969
Pasolini’s casting of Maria Callas in Medea was a masterstroke. By this point, Callas was no longer performing, her singing career was effectively over, and her voice ravaged by years of pressure, physical strain and personal turmoil. Most devastating of all, though, was the betrayal by Aristotle Onassis, who left her for Jacqueline Kennedy—a humiliation that famously plunged her into emotional freefall.
So when Pasolini cast her as Medea, Euripides’s archetypal woman scorned, Callas brought not only immense personal grief…