Before the low-budget independent films of the 90’s, before the movie brats of the 70’s, even before the French New Wave, Italian Neo-Realism traded the glitz and glamour commonly associated with the movies for the grimy streets, and downtrodden people who rarely get a chance in the spotlight. It’s impossible to separate “Bicycle Thieves” and the movement it was a part of from its historical cataclysms. Italian Neo-Realism was an antithetical response to the grand fantasies portrayed in Hollywood, and…
