Synopsis
Love never dies.
In 19th century England, Count Dracula travels to London and meets Mina Harker, a young woman who appears as the reincarnation of his lost love.
Directed by Francis Ford Coppola
In 19th century England, Count Dracula travels to London and meets Mina Harker, a young woman who appears as the reincarnation of his lost love.
Dracula di Bram Stoker, Drakula, Δράκουλας, Дракула, 드라큐라, Drácula de Bram Stoker, 吸血鬼:真愛不死, แดร็กคูลา, Drákula, 惊情四百年, 吸血殭屍:驚情四百年, 드라큘라, Bram Stoker'ın Drakulası, Bram Stokers Dracula, Dracula, Bram Stoker'dan Dracula, Bram Stokerin Dracula, דרקולה, Dràcula de Bram Stoker, ドラキュラ, Dracula d'après l'oeuvre de Bram Stoker, დრაკულა, Dracula lui Bram Stoker, Bremo Stokerio „Drakula“, ब्रॅम स्ट्रोकर्स ड्रॅकुला, Dracula: Bá tước ma cà rồng, دراکولای برام استوکر
robert pattinson could make dracula work but gary oldman couldn’t make edward cullen work
legend has it that keanu reeves and winona ryder actually turned into vampires and haven't aged since
all you need to know is there is a like 30 second close up shot of keanu reeves nipple being licked
"Civilization and 'syphilization' have advanced together." or "Perhaps, though I try to be good, I am bad."
A truly beautiful sex panic phantasmagoria and an unheralded analog technical spectacle. Paralyzed by fear and awe of desire. The traditional, the rational, the modern: all crumble powerlessly, and time collapses in the face of lust. Fuck or die.
97/100
Not just "my kind of movie", but also a film that resonates with every fiber of my cinematic being.
Simultaneously an achingly tender fable of love and a pent-up phantasmagoria of delicious sensuality, Bram Stoker's Dracula, directed by Francis Ford Coppola, weaves the Gothic and the Romantic until intertwined cobwebs begin to appear out of its embrace.
Unlike the more revered Coppola ts, it isn't based solely on character and screenplay but on the sublime audacity of its various technical elements. While most criticisms of Dracula stem from Keanu Reeves' ingeniously out of tune performance and its messy switches of tone, neither really add up to anything of truly negative worth as Coppola's intent was one of visual splendor.…